For 35 years, Allen & Heath has designed truly innovative mixers for the real world and has earned its enviable reputation for superior performance, functionality and build quality. Building on the success of the industry-standard GL2200, we are proud to present the new 4-buss dual-function GL2400 - the latest generation of a mixing classic. This mixer is designed for professional applications. Whether mixing FOH, monitors, or both, recording live or in the studio, installed in a busy or house of worship, out on the road touring or earning its keep in rental stock, the GL2400 provides the perfect solution. Learn more about the new GL range at www.glseries.com

A brand new dual-function mixer derived from our classic GL Series, the most popular mixers in the world for mid-range mixing applications. One glance at this new design will confirm that all our design experience and knowledge has been distilled into one amazingly capable console. Uniquely at this level, GL2800 is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for IEM and stereo recording. 8 audio groups and L,R and M busses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive. And at the heart of this design is the new gain structure allowing a whopping 34dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance. Learn more about the new GL range at www.glseries.com

Dedicated to the job Top end monitor mix capability is now accessible to the budget conscious sound provider. The popular GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M… affordable, capable and easy to use - without compromise, exactly right for the job. 16 mixes with stereo capability Stereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you control up to 8 stereo in-ears or more as combinations of wedges and in-ears. Multiple stereo in-ear mixing presents new challenges to the monitor engineer. You need to balance every source including ambience within the stereo image according to the preference of each performer. The GL2800M provides tamperproof global mono/stereo assignment of its 16 mixes. Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise.

Combining the proven features of the best-selling GL3300 and the latest features of the GL2800, the GL3800 is destined to become a leading 8-bus console for live or recording work. The GL3800 is available in frame sizes up to 48 channels, with the choice of all mono, 4 or 8 stereo channels housed in a stylish chassis, including a meterpod with illuminated VU’s, and front and rear ident strips. The GL3800 has been updated with more facilities for modern day mixing - it’s truly dual-function with all 10 auxes configurable to fader control with insert point and XLR drive. The GL3800 has internal circuitry to autoswitch a second PSU where a fail-safe operation is desirable, and now with ultra-smooth dual rail K faders, this console will be a favourite of the connoisseur operator. Learn more about the new GL range at www.glseries.com

Based on the highly successful GL4000, this mixer is a real thoroughbred multi-function mixer, with a mass of features and detail that makes this mixer a joy for engineers to use. This is a truly multi-functional console, offering features such as group output trims for recording, extended auxiliaries using matrix sends, multiple main outputs and trimmable direct outputs from channels. The GL4800 is also a true workhorse: classic ALLEN&HEATH sound with a new mix head amp design, EQ section from the respected ML4000 and with solid construction, expandable frame design and an array of channel format options – it’s the Swiss Army Knife of mixers! Learn more about the new GL range at www.glseries.com

Never before has a fully equipped VCA desk been accessible to so many people. Once again we’ve applied our design skills to making a previously exclusive technology affordable to people on a real world budget.

ML4000 sits squarely in the centre of the ML series, providing an ideal solution for those customers who need similar functionality to the ML5000 but who can’t justify the size or expense.

The ML5000 is a fitting flagship for our range, satisfying those loyal ALLEN&HEATH customers who wanted a console with the complete professional tool set.

The MPS12 is a 2U high rack-mount switch-mode PSU suitable as a backup power supply for the Wizard3 range, or the smaller GL consoles.

The RPS11 is a rugged 300W linear power supply for Allen & Heath large format mixers.

The ZED 4-Bus series takes inspiration from different product lines within the A&H range, combining them with fresh new ideas to give stunning results in a neat and easy to use package. The padless DuoPreTM mic/line pre-amplifier is the new design first implemented on the ZED-14 and delivers a high-headroom, low-noise signal. The 4 band, 2 sweep EQ, along with the low noise summing amps, is borrowed from the acclaimed GL2400, while the bus architecture is a simplified, but equally comprehensive, version of that employed in the successful GL series. The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath’s top of the range ML Series mixers. See www.allen-heath.com/zed for much more.

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