THE SHAPE OF THINGS TO COME

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Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.

Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-16.

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Community

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Related Products

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Add the Qu-Pad iPad app to your Qu-16 setup

FX and Processing

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Qu-16 FEATURES

AnalogiQ Preamps

Qu-16’s sixteen AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

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The Mixing Experience

Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-16 you’ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

Touch Control

The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu-16 interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

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The SuperStrip

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

Fader Automation

Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-16 features 17 motorized ALPS faders, 16 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

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iLive FX

Qu-16’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-16 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

Find out more about FX and processing for Qu

Total Recall

True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-16 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested EQ setting for your favourite vocal mic or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu-16.

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USB Audio Streaming

Qu-16’s built-in interface streams up to 24 selectable tracks to your Mac or PC.

The returns from the Mac or PC can be easily assigned to the Input channels.

The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools.

An ASIO and WDM compatible driver is available for Windows computers.

Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.

Qu-Drive

Forget soundcard drivers and software setup, Qu-16 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to / from your USB hard drive. Capturing stereo or multitrack recordings of your shows has never been so easy. Multitrack audio can be played back to the 16 Mono channels plus ST1. Stereo files from your hard disk can be played back to ST3.

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ARMed to the Hilt

Qu-16 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs, giving 10 DSP cores, with 8 dedicated to the channel and mix processing alone. With so much DSP power under the hood the channel processing is only using a fraction of capacity, so Qu-16 is future-proofed, with ample room for updates and extra functionality. The Qu-16 DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

The Shape of Things to Come

Made from 18 gauge, cold-rolled Zintec steel, Qu-16’s distinctive frame is designed for strength, rigidity and ease of rack mounting. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander.

Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu-16’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
The shape has some unexpected benefits too. When we started taking Qu-16 out to gigs we soon found the space beneath it incredibly useful for keeping our USB drive, talkback mic, cue sheet and other clutter tucked out of the way. We’ve even had engineers hanging the mixer from a handy scaffold bar and mixing vertically.

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Qu-Pad

Add the Qu-Pad iPad app to your Qu-16 setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi* and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-16 Network port.

ME Personal Mixing System

Qu-16 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com/ME

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dSNAKE

Qu-16 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-16’s dSNAKE port has you future-proofed, allowing connection to a remote AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-16 in the mix position.

FEATURE SUMMARY

  • 16 Mono Inputs (TRS + XLR)
  • 3 Stereo Inputs (TRS)
  • 4 Stereo FX Returns
  • 16 Busses
  • 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
  • 4 FX Engines
  • AES Digital Out
  • 19” Rack Mountable
  • Moving Faders
  • Recallable AnaLOGIQ Preamps
  • Qu-Drive direct Multitrack Recording / Playback on USB drives
  • 800×480 Touchscreen
  • iLive FX Library
  • dSNAKE Remote Audio Port
  • Compatible with ME Personal Mixing System
  • Qu-Pad iPad App
  • USB Audio Streaming
  • DAW MIDI Control
  • 4 Mute Groups
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
  • Built-in Signal Generator
  • RTA with Peak Band indication

 

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Qu-16 Videos

Allen & Heath Video
Qu-16: Introduction
Allen & Heath Video
[Musikmesse] Allen & Heath Qu-16
Allen & Heath Video
Allen & Heath Qu-16 - Musikmesse 2013 - SOS
Allen & Heath Video
Allen & Heath Qu Pad App for Qu-16

Tutorials

Allen & Heath Video
Getting Started
Allen & Heath Video
Qu-Drive
Allen & Heath Video
Channel Processing
Allen & Heath Video
iLive FX
Allen & Heath Video
Qu Pad Router Setup
Allen & Heath Video
dSNAKE and ME-1
Allen & Heath Video
Custom Layers & Soft Keys
Allen & Heath Video
Copy Paste User Libraries
Allen & Heath Video
DAW Control
Allen & Heath Video
USB Streaming
Allen & Heath Video
Working With Scenes and Shows

Qu-16 Documents

Download brochures, user guides and other documents for this product.

Allen & Heath PDF
Qu Series Brochure

Includes Qu-16, Qu-24, Qu-32

Qu-16 Software

For Qu-24 Software please click here.

For Qu-32 Software please click here.

Qu Firmware Release V1.5

V1.5 adds channel naming, 4 DCA Groups, flexible dSNAKE and Monitor output patch, global USB recording source point, plus support for Qu-32 and AB168. For details please click here.

Please read the Release Notes and firmware update instructions before downloading the firmware.
For the Release Notes please click here.
For the firmware update instructions please click here.

Note – new versions of the DAW Control driver and the Qu Windows driver are available below. Check you are running the latest version when updating to firmware V1.5.

Note for iPad users – you will need to update Qu-Pad for V1.5 compatibility.

Details on Qu-Drive USB compatibility are available in our Knowledgebase here.


Firmware – Registration Required

Qu-16 Firmware V1.50

Current Version - Released July 7th 2014

 

Previous versions

Qu-16 Firmware V1.40

Previous Version - Released Apr 3rd 2014

Qu-16 Firmware V1.31

Previous Version - Released Feb 17th 2014

Qu-16 Firmware V1.20

Previous Version - Released Dec 3rd 2013

Qu-16 Firmware V1.12

Previous Version - Released November 2013

 

Qu Windows ASIO/WDM Driver

Please read the driver Help manual before downloading the installer.

Supported operating systems:

Windows Vista (32bit)
Windows 7 (32 and 64 bit)
Windows 8 (32 and 64 bit)

About this release

V2.20.52 routes stereo Windows WDM audio to ST3 on Qu-16 and Qu-24, Ch31-32 on Qu-32.

Qu Windows Driver V2.20.52

Current Version - Released July 7th 2014

Qu Windows Driver V2.20.4

Previous Version - Released May 1st 2014

DAW Control

The DAW Control driver allows a Qu mixer to control a DAW using popular HUI or Mackie Control protocols. It can be used as an alternative to, or on top of, the set of standard MIDI messages.

Supported operating systems:

MAC OS X 10.9 Mavericks
MAC OS X 10.8 Mountain Lion
MAC OS X 10.7 Lion
MAC OS X 10.6 Snow Leopard

DAW Control is compatible with Mac only.

For further information on setting up and using the DAW Control driver you can download the DAW Control Setup Notes document.
For the Qu mixer MIDI specification please refer to the Qu MIDI Protocol document.

About this release
V1.30 introduces support for MMC transport and DAW bank up/down.

DAW Control V1.30

Current Version - Released July 7th 2014

DAW Control V1.10

Previous Version - Released Feb 17th 2014


TCP/IP MIDI Driver

The TCP MIDI Driver allows the MIDI Protocol to be communicated over an Ethernet connection to a computer.

Supported Operating Systems:

Apple Mac OSX Mavericks 10.9
Apple Mac OSX Mountain Lion 10.8
Apple Mac OSX Lion 10.7
Apple Mac OSX Snow Leopard 10.6
Apple Mac OSX Leopard 10.5 (Intel only)

The TCP MIDI Driver is compatible with a MAC computer only.

For the Qu mixer MIDI specification please refer to the Qu MIDI Protocol document.

A&H TCP MIDI Driver Installer for Mac

Allows the MIDI Protocol to be communicated over an Ethernet connection to a computer.