Three dLive systems, all S7000 Surfaces and DM64 MixRacks, were provided by Drayton Entertainment’s long-time audio partner, Angus Audio, which also supplied eight new Apple Macs, and Sennheiser 2000 Series wireless microphone systems. With seven theatres and four shows running simultaneously, the gear allocation is determined by the shows’ needs.
Teatro Socialein Bellinzona, Switzerland, underwent an upgrade to its audio equipment, requiring a new FOH mixing console. Built in 1846,Teatro Socialeis one of Switzerland’s most historic theatres, which was refurbished 20 years ago following a period of neglect. The venue hosts theatrical productions, and also a variety of concerts, from classical to rock.
Białystok Puppet Theatre is the oldest puppet theatre, and the centre of the art of puppetry, in Poland. Established in 1953, the theatre practises both traditional and modern theatrical forms, ranging from rod and string puppetry to mask and drama theatre. The theatre’s main hall was in need of renovation, including acoustic treatment and the installation of a new sound reinforcement system.
A new Municipal Theatre recently opened its doors in the city of Chillánin central Chile. Established as a modern centre for the arts and culture, the venue required the installation of a high spec technology suite. The 1300 capacity venue will host a diverse event programme of opera, ballet, plays and music concerts, from visiting national and international production companies.
The new Wanhe Grand Theatre is the first of its kind ever built inside a big shopping mall in China. With state-of-the-art multi-functional facilities that can manage a variety of events from concerts and art performances to corporate presentations and lectures, the design brief was to provide audiences with an immersive experience based on advanced AV technology with multi-media digital FX, and an aesthetically discreet audio system with a small footprint and great sound quality.
Our design goal for dLive was to create the ultimate mixing system, with plenty of processing and flexibility to handle the most demanding live scenarios, while at the same time giving the engineer intuitive tools to comfortably keep all that power at their fingertips, freeing them to focus on the live mixing experience.
GLD’s friendly user interface has won praise from novices and analogue veterans alike, thanks to its large touchscreen and one-knob-per-function channel strip. This makes it an excellent choice for venues with a regular turnover of acts and engineers.
A compact, professional mixing solution for live venues, clubs, bars and more. With its simple one channel / one fader layout and intuitive touchscreen interface, visiting engineers will quickly get up to speed with Qu.
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