Allen & Heath is proud to present the WZ 12M, an easy-to-use compact mixer for on-stage monitoring. The growth of personal headphone monitoring has led to a huge increase in demand for mixers with multiple stereo mix outputs. Wizard Monitor has been developed to embrace modern on-stage mixing, and joins the GL2800M in Allen & Heath’s successful monitor desk range. The mixer allows musicians to easily control their own mixes on stage, while the mixer will also be at home in rehearsal rooms and studios. 6 stereo mixes or 12 mono wedge outputs - or a combination of mono and stereo - are fed from 16 mono mic/line inputs. The mixer features the crystal-clear WZ3 preamplifier, passive microphone splitter and 4-four band EQ, with all mix masters on faders and colour-coded in pairs for easy identification.

Now upgraded to WZ3 status, the 20S remains a favourite mixer for small broadcast studios, internet radio stations , project studios and stereo sub-mixing anywhere. Featuring the new WZ3 preamp and responsive EQ, the WZ3 20S provides 12 channels with no fewer than 4 mono and 18 stereo sources.

The WZ3:16:2 is a versatile, easy to use 16 mic/line channel mixer - the next generation of this industry standard multi-purpose design Please note: The method of editing the digital FX software in the MixWizard 16 and 12 mixers has changed. To check which method you need to use to edit FX parameters, please see below. For MixWizard version 2 and some version 3 mixers with serial numbers commencing with any of these prefixes, W21602.. W21202.. W31602.. W31202.. ..the editing software may be downloaded here: Wizard FX Editor Software For MixWizard version 3 mixers with serial numbers commencing with these prefixes: W31622.. W31222.. …there is currently no proprietary Allen & Heath software editor. However, the effects parameters can be edited via MIDI using a WZ FX Graphical User Interface that runs within Stardraw Control, which may be downloaded from the Stardraw website here: Stardraw Control Please note before you download the GUI, that you will need Stardraw Control to make any changes to the parameters. Please also note that you will need to have Microsoft’s ‘.NET Framework’ installed. The GUI which runs within Stardraw Control may be downloaded here.WZ FX Ed V2 If you wish to edit the parameters using your own hardware and software, please read :This Document which describes the MIDI implementation of the parameters.

The WZ3:14:4:2 is a remarkably dynamic compact mixer, with multifunctionality that allows it to be used for FOH, monitors, and live or studio recording.

With the same functionality as its larger sister models, the WZ3:12:2 embodies the ultimate multipurpose compact mixer, with 2 extra dual stereo inputs for stereo sources such as keyboards or CD players. Please note: The method of editing the digital FX software in the MixWizard 16 and 12 mixers has changed. To check which method you need to use to edit FX parameters, please see below. For MixWizard version 2 and some version 3 mixers with serial numbers commencing with any of these prefixes, W21602.. W21202.. W31602.. W31202.. ..the editing software may be downloaded here: Wizard FX Editor Software For MixWizard version 3 mixers with serial numbers commencing with these prefixes: W31622.. W31222.. …there is currently no proprietary Allen & Heath software editor. However, the effects parameters can be edited via MIDI using a WZ FX Graphical User Interface that runs within Stardraw Control, which may be downloaded from the Stardraw website here: Stardraw Control Please note before you download the GUI, that you will need Stardraw Control to make any changes to the parameters. Please also note that you will need to have Microsoft’s ‘.NET Framework’ installed. The GUI which runs within Stardraw Control may be downloaded here.WZ FX Ed V2 If you wish to edit the parameters using your own hardware and software, please read :This Document which describes the MIDI implementation of the parameters.

The PA12 mixer has been designed with all the tools you will need to run a standard stereo PA system. With ALLEN&HEATH's legendary innovative design and excellent sound quality, these entry level consoles makes an ideal live mixer for club performers, schools' systems, conference rooms and travelling musicians. If you care about quality you’ll also appreciate the build standards that the PA series conforms to, including the same individual vertical circuit boards, nutted pots and solid copper buss interconnection as our acclaimed ML series consoles. As for audio performance, PA12 mixers have the wonderfully full, open, natural quality that you’d expect from a professional ALLEN&HEATH desk.

The PA range (PA12, PA20 and PA28) are robust compact mixers with a straight forward layout and buckets of functionality. With a design and build quality that mirrors our professional touring desks, these mixers are an essential addition to any band, school, theatre, or hire inventory.

The PA20 mixer has been designed with all the tools you will need to run a standard stereo PA system. With ALLEN&HEATH's legendary innovative design and excellent sound quality, these entry level consoles makes an ideal live mixer for club performers, schools' systems, conference rooms and travelling musicians. If you care about quality you’ll also appreciate the build standards that the PA series conforms to, including the same individual vertical circuit boards, nutted pots and solid copper buss interconnection as our acclaimed ML series consoles. As for audio performance, PA20 mixers have the wonderfully full, open, natural quality that you’d expect from a professional ALLEN&HEATH desk.

The PA20-CP are sturdy, "walk up and go" powered mixers, guaranteed to deliver loads of weighty power from their 'Constant Power' amplifiers. These well thought-out mixers offer operational flexibility for any live sound situation and engineers of any experience.

The PA12-CP are sturdy, "walk up and go" powered mixers, guaranteed to deliver loads of weighty power from their 'Constant Power' amplifiers. These well thought-out mixers offer operational flexibility for any live sound situation and engineers of any experience.

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